翻訳と辞書
Words near each other
・ Piano Sonata in B major, D 575 (Schubert)
・ Piano Sonata in B minor (Strauss)
・ Piano Sonata in B-flat major, K. 498a
・ Piano Concerto No. 3 (Prokofiev)
・ Piano Concerto No. 3 (Rachmaninoff)
・ Piano Concerto No. 3 (Rautavaara)
・ Piano Concerto No. 3 (Ries)
・ Piano Concerto No. 3 (Saint-Saëns)
・ Piano Concerto No. 3 (Tchaikovsky)
・ Piano Concerto No. 3 (Williamson)
・ Piano Concerto No. 4
・ Piano Concerto No. 4 (Beethoven)
・ Piano Concerto No. 4 (Prokofiev)
・ Piano Concerto No. 4 (Rachmaninoff)
・ Piano Concerto No. 4 (Rubinstein)
Piano Concerto No. 4 (Saint-Saëns)
・ Piano Concerto No. 5
・ Piano Concerto No. 5 (Beethoven)
・ Piano Concerto No. 5 (Mozart)
・ Piano Concerto No. 5 (Prokofiev)
・ Piano Concerto No. 5 (Saint-Saëns)
・ Piano Concerto No. 5 in E-flat major
・ Piano Concerto No. 6
・ Piano Concerto No. 6 (Beethoven)
・ Piano Concerto No. 6 (Mozart)
・ Piano Concerto No. 6 (Prokofiev)
・ Piano Concerto No. 7 (Mozart)
・ Piano Concerto No. 8 (Mozart)
・ Piano Concerto No. 9 (Mozart)
・ Piano Concertos K. 107 (Mozart)


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Piano Concerto No. 4 (Saint-Saëns) : ウィキペディア英語版
Piano Concerto No. 4 (Saint-Saëns)

Piano Concerto No. 4 in C minor, Op. 44 by Camille Saint-Saëns, is the composer's most structurally innovative piano concerto. In one sense it is structured like a four-movement symphony, but these are grouped in pairs. That is, the piece is divided into two parts, each of which combines two main movements (I. A moderate-tempo Theme and Variations in C Minor; II. A slower, related Theme and Variations in Ab Major; III. Scherzo in C Minor; IV. Finale in C Major). However, in each part there is a bridge-like transitional section, between the two main "movements" – for example, a fugal Andante in part II functions as an interlude between the two main triple-meter sections.
#Allegro moderatoAndante
#Allegro vivace – Andante – Allegro
It begins with a gently mischievous chromatic subject, heard in dialogue between the strings and piano soloist, and continues in a creative thematic development similar to Saint-Saëns' third symphony. The composer demonstrates brilliant skill in employing the piano and orchestra almost equally. In the Andante, he introduces a hymn-like theme with the woodwinds (also strikingly similar to the tune of the third symphony's final section), and uses this as a platform on which he builds a series of variations before bringing the movement to a quiet close.
The Allegro vivace begins as a playful and cunning scherzo (although still in C minor), deriving its main theme from the original chromatic subject in the beginning of the first movement. There is a bold switch to 6/8 time, and the piano leads the orchestra into a new brief but energetic theme, somewhat like the melody of the later popular song "The Man Who Broke the Bank at Monte Carlo". Eventually the orchestra moves into a lush Andante, recapitulating the chorale-style melody. Rather suddenly, the piano climbs up to a flurry of double octave trills and a climactic trumpet fanfare, leading to the jubilant finale based once more on the hymn theme played at triple time. The concerto concludes with the piano, in cadenza-like cascades, guiding the orchestra to a ''fortissimo'' close.
The piano concerto was premièred in 1875 with the composer as the soloist. The concerto is dedicated to Anton Door, a professor of piano at the Vienna Conservatory. It continues to be one of Saint-Saëns' most popular piano concertos, second only to the Piano Concerto No. 2 in G minor. This highly inventive work, along with many others, does much to refute the caricature of a purely reactionary Saint-Saëns.
==External links==

*


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Piano Concerto No. 4 (Saint-Saëns)」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.